Features, Music Reviews

Dark, Brooding, Fierce, Powerful: Racquel Jones’ IgnoRANT is No F*cks Given

DISCLAIMER: IgnoRANT is not for the pansy class. Middle-aged white dudes, beware. This album should be blasted in residential neighborhoods at peak volume. Anything else is unacceptable.

On her latest album, IgnoRANT, MC Racquel Jones weaponizes stereotypes against women and hurls them in the other direction. She’s not afraid to puncture an existing wound or stab a man fresh off a new transgression. The trip-hip, R&B, calypso, and electronic hip hop album is hyper-conscious, hyper-sexual, and highly stimulating. Her daggers are her words, the music a sounding board for higher frequencies of high-speed voltage to bounce off of, and Racquel has the power to flip the switch.

“Manic” gives off mucha Latina vibes (Maybe she borrowed a cue from Saudade, the Bossa Nova album by Thievery Corporation), and the music sucks you into a dream, and you’re losing your footing on a winding staircase that keeps spiraling and spiraling, never reaching the floor. The feeling of insomnia, of sleep walking, a never-ending problem. 

“Siren! Violent!” we hear Ms. Jones shriek on “Arrogant,” the sixth track on IgnoRANT. With a snarl not to be messed with, Jones brings memories of Steflon Don, Foxy Brown, and Lil Kim rolled into one song, proving that the goddess MCs of today’s generation can’t be pigeonholed into one sound, one vibe. They can be girly AND rough around the edges. Like manicures AND slamming a six-pack down. They can be angry and don’t have to apologize for it. 

“Queen,” the final track, is a discotheque of epic proportions. Ms. Jones flaunts her crown in the video proudly, and here, pride is celebration, not perceived as arrogance. She calls on other women to show up as they are, without fear of consequence, and names off famous icons, queens, and goddesses in history who have owned their shit. That’s a beautiful message: No competition, only celebration. All in the name of fierce women. 

IgnoRANT is the opposite of its name. It’s the got-damn truth. It’s an invocation. This is a philosophical work of art by Ms. Jones, who celebrates her Jamaican and Black roots and addresses issues with religion, on the album. This is not your ordinary dance album. It’s deeply personal, and in listening, you can feel the blood and sweat that was poured into its creation. Bravo, Ms. Jones, Bravo.

For the full album, listen here.

Connect with Racquel Jones: Website | Instagram

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Features, Music Reviews, Race + Culture

Social Justice in Music: Emerging Indie Artists of the Pandemic

By JD Brant // Contributing Writing By Saliek Ruffin

Hip hop has come a long way since the OG days of “Rapper’s Delight.” The track was the first hip hop song to reach Billboard’s Top 40 at a time when music by young black musicians was easily misunderstood. Now, almost 40 years later, hip hop still dominates Billboard charts. Streaming numbers have nudged the genre, yet again, into familiar hybrid pop/rock territory (Does anyone remember Blondie’s “Rapture”? That’s where it all started). 

At its core, hip hop is a political movement, and contemporary artists’ attempts to smash the status quo offers glimmers of hope for Gen Zers, millennials, and other lost generations. Here we’ve compiled a list of standout artists who’ve emerged victorious during the COVID-19 pandemic and have taken on social justice causes as influencers in the music industry. We will post one new artist a week throughout the summer. 

1. H.E.R.

Gabriella Sarmiento Wilson is her government name. Her stage name, articulated “her,” is an abbreviation for Having Everything Revealed. The Filipino/African-American vocalist and musician rose to prominence at the height of the pandemic, and has been soaring ever since. 

After initially releasing music under her government name, Wilson reappeared in 2016 with the H.E.R. persona, delivering her introduction EP H.E.R. Volume 1. She at that point delivered resulting EPs H.E.R. Volume 2 (2017), The B Sides (2017), I Used to Know Her: The Prelude (2018) and I Used to Know Her: Part 2 (2018). 

2020 was the year of H.E.R. She was designated for five honors at the 62nd Annual Grammy Awards, including Album of the Year for her album, I Used to Know Her, and Song of the Year for “Hard Place.” In September, she sang Prince’s tune “Nothing Compares 2 U,” for the 72nd Primetime Emmy Awards, and during the pre-game celebrations for Super Bowl LV, H.E.R. performed “America the Beautiful” while playing guitar. 

What makes H.E.R. a beautiful soul is her passion for activism. Laced throughout her discography are reflections of her beliefs. “I Can’t Breathe” was the singer’s premiere social justice song, an emphatic statement on the current global policing crisis. She also contributed a song to the soundtrack of Judas and the Black Messiah titled, “Fight For You,” last August. 

Listen to “Fight For You” here:

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