Zimbabwe-based songwriter So Kindly first emerged in 2017 with his debut EP “Warmest Place,” which earned him praise for his vulnerable storytelling and warm arrangements. On May 28, he made his triumphant return to the music scene with the release of his latest single, “The River,” where he sings about the distinctly human problem of being faced with a tough decision in love and the accompanying emotional fallout that follows. The track showcases So Kindly’s earnestly charming vocals and innovative sound, which blends electronic and indie rock influences into an effortless and inviting package.
“Down by the river I lay/It all in line for the truth,” he repeats in the refrain. He sings each lyric with his whole soul and brings easy energy to the melody, which sits nicely against bright guitar passages. The track remains steady and then comes to an abrupt end, which parallels the lyrics’ themes of accepting the unknown and placing trust in ourselves, even in the face of uncertainty.
“This track is about that decision-making process internally and emotionally,” he said about the song’s message. “Sometimes we have to cut ourselves some slack and accept that we are not always in control of the way things pan out.”
So Kindly has big plans for 2021, including a return to live performances and a new set of songs. Listen to “The River” here and watch the lyric video produced by Obscura Films below:
LHĒON is a Neo-Soul singer from Melbourne, Australia who floats like a butterfly and sings like a bee: her May release, Full Disclosure Pt. II, is anything but boring. The EP is her follow-up to Pt. I, released in March. Eloquent Mag asked the singer about the project in full, her inspirations, and more below:
Q: Sonically, what were you going for on Full Disclosure Pt. II? Love the musical embellishments and rich tones in the instrumentation so much!
A: Thank you so much! I believe in this song’s first incarnations, it was more of a ballad and at some point also a rock vibe! When my producer Lee started re-working it for my project, he knew that it would work really well if we put that Motown drive, and spin to it. The grittiness of the drums as well as the vocals. With some really rhythmic horns and the bold organ sound…since I absolutely live for the old-school Soul music from the 60s, it was a match MADE.
Q: How do you think Full Disclosure Pt. I compares to Pt. II artistically/sonically?
A:Pt I has a modern flair, neo-soul, R&B with jazz and electronic twists, a concoction of all those genres with a pop flow. Pt. I was looking forward to my newer influences. I was able to experiment a lot with the harmonics by bringing together genres that might not necessarily be meshing together naturally and making them do that. Pt II is more “looking back” and paying homage to the music I grew up on, the old school Soul and Motown with big horn parts, heavy driving drums and infectious hooks. I got to really spread my wings within my voice and my producer pushed me, in a good way, to really go for it with these songs, no holding back and baring it all.
Q:What was the inspiration behind the track “I Hate The Way That I Love You” on Pt. II and what was recording the track like for you?
A: A relationship gone wrong. Where you put all of yourself yet getting little to nothing back. You’re committing fully because you love this person with every inch of your being but they are not capable of loving you back. Somehow you can’t leave, although you know that’s what you probably should be doing. It was incredibly cathartic recording this song because I had to channel sadness and anger I hadn’t done previously. It was one of the first times I felt I completely let it all go and just went for it…and in the last couple of choruses, I think you hear the actual desperation I felt, because the story and the lyrics really got to me.
Q: Who are your musical influences?
A: This is always hard to answer since it’s ever-evolving for me! Here are some of them: Aretha Franklin, Jill Scott, Joss Stone, Adele, Emily King, Sara Bareilles, NAO, Emeli Sandé, Frank Ocean, Eryn Allen Kane, BANKS, Melody Gardot and more!
Q: Any up-and-coming bands or singer-songwriters you love right now?
A: You should definitely check out SKŸE, he has such a beautiful way of expressing himself with his voice, lyricism and melodies. I’m in awe of him. I also think you should check out Grace May is another beautiful artists. Very soulful and warmth, when I listen to her songs I feel almost embraced. Lastly, check out Cosima Olu. She is from Sweden. I’m always excited to rep great musicians from my home country. She creates music that’s so so fresh and incredibly unique. I’m mesmerized by her voice and songs, and she produces a lot of it (if not all of it) herself!
Listen to Full Disclosure Pt. II now and tell us what you think in the comments:
Bartees Strange’s Live Forever is a pulsing, sonic conundrum, released on Music Memory and mastered by Grammy-nominated producer Will Yip. In the first minutes of Live Forever, the Washington D.C. songwriter paints with an ethereal brush. “Jealousy” opens with soft piano chords, birds chirping, and an almost unintelligible Strange delivers lines about anger, missing pieces of the self, and a missing but needed voice.
Distinct sounds like his will stop you in your tracks when you first hear them. Music’s ability to mold memories with reality is palpable with brilliant songwriting such as his. While bathing my son after an extraordinarily messy lunch, the first notes of “Jealousy” played through a small Bluetooth speaker. The window was open and the trees swayed with their newly changing leaves. He babbled along to the slowly crashing chords, shimmying in the rippling water, pushing infinite waves to the edges of the pool.
“Mustang” followed after, cutting the soft sounds with sharp synthesizers and a driving post-punk anthem. Strange has a stunning vocal range, moving between soft indie rock and anthemic, almost bellowing choruses. Showing his vocal range alongside musical prowess, Strange delves into a gritty punk in an abrupt ending to the track.
Bartees Strange is a gifted songwriter with a unique background. Born in Ipswich, England, he travelled across Europe at a young age, being exposed to music through the church. His life in the States has had a proclivity to move around, jumping between music scenes in Oklahoma, eventually finding his way to the metro D.C. area as a songwriter and producer.
Citing his young life and navigating the world as a Black man, “Boomer” is a fast-paced song, switching between wittily delivered rap verses and jangling, boot-stomping country bridges.
He juggles aspirations of a better life on the trippy rap track “Kelly Rowland.” On “Stone Meadows,” he builds a wall of stadium rock, blending his loud delivery and shuffling drums.
Strange’s power lies in his ability to evoke mood with the strike of a chord. His large breadth of musical experiences, ranging from country bands, emo bands, and formal opera vocal training, has created a perfect mix of the unpredictable in him. He transcends genre with a smile on his face and a quick whip in his words.
While trying to trace a singular root for in his sound, a messy clump of vines lies in the wake. This album is a gesture towards an infinite possibility of sound, influenced by punk, rap, indie-pop, synth-rock, with a brilliant, singular singer songwriting voice.Genre isn’t really in Strange’s vocabulary, because his songwriting melds sonic worlds together in a distinctive thread.
Strange closes the album with the moody anthem “Ghostly.” The track ebbs and flows with plicking synth chords as he contemplates memories of friends and the effects of growing distant from one another. Midway through, he shifts into a new refrain with driving chords, reaching towards a hefty album closer. The song evaporates quickly, mixing vocal harmonies and crashing static.
John Mccracken is a freelance writer from Wisconsin, living in Green Bay. He’s reported on breaking labor news, the intimacy of food in the face of a global pandemic, and interviewed multiple New York Times Bestselling authors. Visit his work here.